I had a set of Russian dolls as a child and loved them. I would pull out a doll out of each hollow body, sort them, nest them back together, only to start all over again. Today I can see with my own children the fascination this nesting system brings to them. There is something puzzling and magical about creating multiplicity out of a single object.

This is this magical and fascinating effect that we are trying to recreate for our set: with as few props as possible, we want the Child (Polycolor's main character) to literally build the world he is acting out.

On a table, the Child progressively builds up the background in which he is evolving with materials at hand. From a variety of blocks, cylinders, cones and pyramids, and with different systems of nesting, rotation and stacking, he slowly builds a multidimensional world that we hope will surprise, fascinate and capture our audience's imagination.

When creating Polycolor, we unknowingly pushed the nesting concept even further since it turns out that Polycolor is in fact a play within a play: it is the story of a child, who is acting out a make-believe, transforming as he plays along familiar and nondescript elements into a grandiose backdrop for the story he has become part of.

Carine