I had a set of Russian dolls as a child and loved them. I would pull out a doll out of each hollow body, sort them, nest them back together, only to start all over again. Today I can see with my own children the fascination this nesting system brings to them. There is something puzzling and magical about creating multiplicity out of a single object.

This is this magical and fascinating effect that we are trying to recreate for our set: with as few props as possible, we want the Child (Polycolor's main character) to literally build the world he is acting out.

On a table, the Child progressively builds up the background in which he is evolving with materials at hand. From a variety of blocks, cylinders, cones and pyramids, and with different systems of nesting, rotation and stacking, he slowly builds a multidimensional world that we hope will surprise, fascinate and capture our audience's imagination.

When creating Polycolor, we unknowingly pushed the nesting concept even further since it turns out that Polycolor is in fact a play within a play: it is the story of a child, who is acting out a make-believe, transforming as he plays along familiar and nondescript elements into a grandiose backdrop for the story he has become part of.

Carine

Here's a little insight on Polycolor, our work in progress based on Robert Neubecker's children book Courage of the Blue Boy. It is scheduled to premier in April 2012.

The concept: there is only one actor, playing the character of a child who, in the world of make-believes, pretends to be Blue as he creates onstage the different lands in which Blue evolves. His companion Polly-the calf is the child's lovey (a “doudou” in French,) and most of the play's dialogue is the child/Blue talking to Polly-the lovey as he shares his observations, questions and emotions.

The synopsis: True to Neubecker's story, the child/Blue leaves his blue land in a quest to find other colors. As he travels, he comes to the realization that, although discovering new colors is fantastic, the monochromatic lands he explores are still very much like the land he left: plain and monotone. He starts longing for diversity and eventually debarks in a big, polychromatic city. His first reaction is of excitement and exhilaration before realizing that he and Polly are the only mark of blue in the city. Fear of what other people might think, loneliness and longing for his blue land make him retreat, until he finds the courage to share his color and to eventually come back out in the city where a wonderful surprise awaits.

We are now working on the set/props and Marc Bescond is composing the original score, so stay tuned for more updates! In the meanwhile, feel free to share your comments and thoughts. We would love to hear from you about what you think of the project!

Carine